Talk:Warwick Braithwaite

Warwick Braithwaite

I am Warwick Braithwaite's son and would like to expand his entry in Wikipedia if possible. Here is what I have written:

Henry Warwick Braithwaite. (1896- 1971)

Warwick Braithwaite was born in 1896, one of the youngest of a large number of children (family tradition says as many as 22 children, but the records are inadequate) born to Joseph and Mary Braithwaite, in Dunedin, New Zealand. The family were musical – his elder sister Mabel Manson emigrated to England before he was born, where she made a considerable career as a singer. He won various competitions as both a composer and pianist and then followed his sister to England in 1916. He studied at the Royal Academy of Music from 1916-1919 but then his father died, the money ran out, and he had to leave and find a job.

He joined the O’Mara Opera Company as chorus master, a touring opera company run by the Irish tenor Joseph O’Mara, and with them made his debut as a conductor with Auber’s Fra Diavolo in 1919. After this he joined the British National Opera Company as a repetiteur and also in 1922 spent a year working for Bruno Walter at the Bavarian State Opera in Munich. When Walter left to go to America, Hans Knapperstsbusch was appointed to the job and immediately terminated the employment of any non-Germans working for the company. Thereafter he became the first Assistant Musical Director of 2LO, the precursor to the BBC, and then moved to the BBC’s Cardiff 5WA Station Orchestra where he conducted many of the first UK performances of Sibelius’ music. That orchestra was closed down when the BBC decided to centralise its efforts and put its money into the newly formed BBC Symphony Orchestra in London under Sir Adrian Boult.

In 1931 Braithwaite joined Sadler’s Wells, the company run by the fiercely autocratic Lilian Baylis, who persuaded the politicians Winston Churchill and Stanley Baldwin, the writers G K Chesterton and John Galsworthy, the composer Ethel Smythe, and the conductor Thomas Beecham to raise funds for a new theatre at Sadler’s Wells in Islington, where there had been a theatre since 1683.

The company performed not only opera, but ballet and theatre as well: among its stars were Laurence Olivier, John Gielgud, Margot Fonteyn, Robert Helpmann, Joan Cross, Constant Lambert. In 1931, Warwick Braithwaite’s first year, the company performed fourteen operas; the next year it performed twenty six operas. In all the company put on fifty operas between 1931 and 1939: a remarkably ambitious undertaking. Warwick himself conducted Wagner’s Mastersingers and Lohengrin, Beethoven’s Fidelio, the Mozart operas (including Cosi Fan Tutte, then rarely done), Verdi’s Don Carlos and a highly successful Falstaff, the Puccini operas, and Ethel Smythe’s The Wreckers. The theatre closed down briefly when the war began but soon reopened. Braithwaite conducted Puccini’s Tosca at Sadler’s Wells on the afternoon of 7 September 1940. Laurence Collingwood conducted Gounod’s Faust the same evening. That was the first night of the Blitz, and one of the worst. London was set on fire by waves of German bombs, 430 people were killed and 1,600 badly injured. Braithwaite watched the raid from the roof of the theatre.

In 1940 he succeeded George Szell as principal conductor of the Scottish National Orchestra and while there oversaw the expansion of its season from a three months to six months per year. While in Glasgow he also conducted the US Army Air Force Band, the band founded by Glen Miller. During the war he was also much involved in the campaign to save the London Philharmonic Orchestra during these years and can be seen in the film “Battle for Music” which documents that story.

After the war he joined the Royal Opera House, Covent Garden, as Music Director of the Ballet Company where he conducted the western premiere of Prokofiev’s Cinderella with Moira Shearer in the title role. He also conducted operas with some of the period’s greatest singers, among them Boris Christoff in Boris Godunov, and Victoria de los Angeles in her debut as Puccini’s Mimi. And also a performance of Aida with Astrid Varnay singing Aida in Italian, Hans Hopf singing Radames in German and Jess Walters singing Ramphis in English.

He was appointed Chief Conductor of the New Zealand Symphony Orchestra in 1952 and then Music Director of the Elisabethan Opera Trust in Australia, the precursor of Opera Australia, in 1954. In 1956 he returned to the UK as Musical Director of the Welsh National Opera, where he conducted a range of interesting and little known repertoire such as Verdi’s I Lombardi and Battaglia di Legnano, Boito’s Mefistofele and Rimsky-Korsakov’s May Night as well as the standard repertoire. In 1958 he rejoined Sadler’s Wells Opera where he conducted for the next 10 years until his retirement in 1968.

His recording legacy is mainly as an accompanist to some of the greatest singers of the mid twentieth century – Elizabeth Schwarzkopf, Sena Jurinac, Kirsten Flagstad, Tito Gobbi, Nicolo Rossi-Lemeni and Joan Hammond amongst others. There are also some recordings of ballet music with the Royal Opera House Orchestra which were released on the Parlophone lable, and there are a few recordings of BBC broadcasts of complete operas, among them Puccini’s La fanciulla del West with Sadler’s Wells and I Lombardi with the Welsh National Opera.

He was also active as a composer, writing two operas as well as a varied collection of other pieces, and published a book: The Conductor’s Art. ISBN 978-0313200588. He had a daughter, Barbara, a nurse, and two sons: Sir Rodric Braithwaite, diplomat and author, and the conductor Nicholas Braithwaite

npdb Npdb (talk) 07:37, 12 January 2014 (UTC)

Fascinating. I suppose there are no reliable published sources which can be used to underpin this bio? Because that's what Wikipedia's normal standards require; see WP:42 and further links there, especially Wikipedia:Identifying reliable sources. The other thing lacking, wiki links (Help:Link) to avoid a dead-end page, can easily be added. In the spirit of WP:BOLD, I suggest to incorporate this text into the article and see whether references will be requested / can be found. -- Michael Bednarek (talk) 08:04, 12 January 2014 (UTC)

There is an unpublished autobiography in the Alexander Turnbull Library, Wellington, NZ. I am a Wikipedia virgin - how do I incorporate it into the article? NPDB Jan 15 2014 Npdb (talk) 05:37, 15 January 2014 (UTC) The dates from 1931 onwards can all be verified from other sources I would imagine, though some of them would take a deal of digging. The O'Mara Opera Co is long since dead and would be very hard to research. 2LO? Difficult I would imagine. His operas and other compositions are all in the Alexander Turnbull Library. The recordings reappear all the time on different lanes as the record companies sell them on amongst themselves. The recordings of I Lombardi and Fanciulla del West are available from the Oreil Music Trust, orielmusic.org. The National Biographical Dictionary of New Zealand published in 1905 or 1906 has a passage saying something like" One of the sights of Dunedin is to see the Braithwaite family filing into their row of seats in the Regent Theatre". Joseph Braithwaite was Mayor of Dunedin at that time. I have seen this book in the archives of Dunedin City Council. NPDB Npdb (talk) 06:09, 15 January 2014 (UTC)

An unpublished autobiography falls short of the requirement of WP:PRIMARY and the related WP:USEPRIMARY and to some extent of WP:USESPS. Disregarding all that, the formal citation could look something like this:

Warwick Braithwaite: title of his biography (unpublished), <year if available, else s.a.) Alexander Turnbull Library, Wellington, New Zealand

For a thorough deflowering, you could look at Help:Contents, particularly at Wikipedia:Tutorial/Editing and Wikipedia:Plain and simple. -- Michael Bednarek (talk) 06:29, 15 January 2014 (UTC)