Portal:Rock music
The Rock Music Portal
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock with extended artistic elements, glam rock, highlighting showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.
From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)
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Chapman planned the killing over several months and waited for Lennon at the Dakota on the morning of 8 December. Early in the evening, Chapman met Lennon, who signed his copy of the album Double Fantasy and subsequently left for a recording session at the Record Plant. Later that night, Lennon and his wife, Yoko Ono, returned to the Dakota. As Lennon and Ono approached the entrance of the building, Chapman fired five hollow-point bullets from a .38 special revolver, four of which hit Lennon in the back. Lennon was rushed to Roosevelt Hospital in a police car, where he was pronounced dead on arrival at 11:15 p.m. at age 40. Chapman remained at the scene reading The Catcher in the Rye until he was arrested by the police. It was later discovered that Chapman considered Lennon's friend David Bowie a target.
A worldwide outpouring of grief ensued; crowds gathered at Roosevelt Hospital and in front of the Dakota, and at least three Beatles fans died by suicide. The day following the murder, Lennon was cremated at Ferncliff Cemetery in Hartsdale, New York. In lieu of a funeral, Ono requested ten minutes of silence around the world. Chapman pleaded guilty to murdering Lennon and was given a sentence of twenty-years-to-life imprisonment. He has been denied parole thirteen times since he became eligible in 2000. (Full article...)
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In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West in San Francisco, the Fillmore East in New York City, the Monterey Pop Festival, and Woodstock. The band was known for combining electric Chicago blues with a rock urgency and for their pioneering jazz fusion performances and recordings. The band was also among the first racially integrated blues groups. After the breakup of the group in 1971, Butterfield continued to tour and record with the band Paul Butterfield's Better Days, with his mentor Muddy Waters, and with members of the roots-rock group the Band. While still recording and performing, Butterfield died in 1987 at age 44 of an accidental drug overdose.
Music critics have acknowledged his development of an original approach that places him among the best-known blues harp players. In 2006, he was inducted into the Blues Hall of Fame. Butterfield and the early members of the Paul Butterfield Blues Band were inducted into the Rock and Roll Hall of Fame in 2015. Both panels noted his harmonica skills and his contributions to bringing blues music to a younger and broader audience. (Full article...)
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Pod is the debut studio album by American alternative rock band the Breeders, released by 4AD records on May 29, 1990. Engineered by Steve Albini, the album features band leader Kim Deal on vocals and guitar, Josephine Wiggs on bass, Britt Walford on drums, and Tanya Donelly on guitar. Albini's production prioritized sound over technical accomplishment; the final takes favor the band's spontaneous live "in studio" performances.
The Breeders formed in 1988 when Deal, bass player for Pixies, befriended Donelly of Throwing Muses during a European tour. They recorded a country-infused demo in 1989, leading to 4AD co-founder Ivo Watts-Russell funding an album, Pod, recorded that year at the Palladium studio in Edinburgh, Scotland.
Due in part to Deal's work with the Pixies, the album was widely anticipated, particularly in Europe. It became a critical and popular success, reaching number 22 in the UK. Critics praised its dark, sexualized lyrics, and compared it favorably to the Pixies. Nirvana's Kurt Cobain said it was one of his favorite records, and Pitchfork ranked it number 81 on its list of the best albums of the 1990s. The cover art was designed by Vaughan Oliver and portrays a man performing a fertility dance while wearing a belt of eels. (Full article...)
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"Summer of '69" is a song recorded by the Canadian singer Bryan Adams from his fourth album, Reckless. It is an up-tempo rock song about a dilemma between settling down or trying to become a rock star. The track was written by Adams and his longtime songwriting collaborator Jim Vallance. "Summer of '69" was produced by Adams and Bob Clearmountain. "Summer of '69" was released in June 1985 under A&M Records as the fourth single from Reckless. According to later claims by Adams, the title is a reference to the sex position, not the year, but Vallance disputes this.
The song was released with two B-side tracks: "Kids Wanna Rock" and "The Best Was Yet to Come", which had previously appeared on the albums Reckless and Cuts Like a Knife respectively. "Summer of '69" received favourable reviews from music critics. The music video for the song, which was filmed by Steve Barron, features Adams and his backing band in a variety of settings, including running from the police. The single had a strong effect on music charts internationally; in the UK it was acclaimed as one of Adams’s best, with its highest peaks being number four in the Netherlands and number five in the United States. Amongst songs recorded by Canadian artists, it is the most streamed and most digitally purchased song within Canada amongst songs originally released before the start of the digital download era (approximately 2005). It is also the most played song on Canadian radio amongst songs by Canadian artists originally released before 1990. (Full article...)
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Amparo Llanos of Spanish band Dover in 2014 during their Dover came to me tour.
Did you know (auto-generated)
- ... that the heavy metal band Cradle of Filth released a T-shirt that was so offensive that several people were arrested for wearing it?
- ... that the Diaspora Yeshiva Band infused rock and bluegrass with Jewish lyrics, creating a music style it called "Hasidic rock" or "Country and Eastern"?
- ... that before charting on the UK Albums Chart with Are We There Yet?, the indie rock musician James Marriott had made a career of mocking other YouTubers' music?
- ... that heavy metal led Ossian D'Ambrosio to druidism?
- ... that Shin Hae-chul, who previously made hard rock and heavy metal albums, was inspired by big band music when he made The Songs for the One?
- ... that Skálmöld & Sinfóníuhljómsveit Íslands documents a symphony orchestra playing heavy metal music?
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Alternative rock (also known as alternative music, alt-rock or simply alternative) is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge, shoegaze, and Britpop subgenres in the United States and United Kingdom, respectively. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock. (Full article...)
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Made in Japan is a double live album by English rock band Deep Purple, recorded during their first tour of Japan in August 1972. It was originally released in December 1972, with a US release in late March 1973, and became a commercial and critical success.
The band were well known for their strong stage act, and had privately recorded several shows, or broadcast them on radio, but were unenthusiastic about recording a live album until their Japanese record company decided it would be good for publicity. They insisted on supervising the live production, including using Martin Birch, who had previously collaborated with the band, as engineer, and were not particularly interested in the album's release, even after recording. The tour was successful, with strong media interest and a positive response from fans. (Full article...)More did you know...
- ... that David Bowie's first gig as lead singer was at the Green Man, Blackheath?
- ... that Carlton le Willows Academy alumni include cricketer Mark Footitt, Air Supply singer/guitarist Graham Russell, and balloonist Janet Folkes?
- ... that the video for Marilyn Manson's soft-rock ballad "Running to the Edge of the World" was widely condemned for its depiction of violence against women?
- ... that Susan Beschta was a punk rocker and federal judge?
- ... that the FM Non-Duplication Rule adopted by the FCC 59 years ago led to the creation of the album-oriented and classic rock radio formats?
- ... that The Elvis Dead, a retelling of Evil Dead II in the style of Elvis Presley, features songs such as "Standing in a State of Shock", "I've Been Possessed", and "Wrapped Up in Vines"?
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