Portal:Speculative fiction
Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profileHoward Phillips Lovecraft (US: /ˈlʌvkræft/, UK: /ˈlʌvkrɑːft/; August 20, 1890 – March 15, 1937) was an American writer of weird, science, fantasy, and horror fiction. He is best known for his creation of the Cthulhu Mythos. Born in Providence, Rhode Island, Lovecraft spent most of his life in New England. After his father's institutionalization in 1893, he lived affluently until his family's wealth dissipated after the death of his grandfather. Lovecraft then lived with his mother, in reduced financial security, until her institutionalization in 1919. He began to write essays for the United Amateur Press Association, and in 1913 wrote a critical letter to a pulp magazine that ultimately led to his involvement in pulp fiction. He became active in the speculative fiction community and was published in several pulp magazines. Lovecraft moved to New York City, marrying Sonia Greene in 1924, and later became the center of a wider group of authors known as the "Lovecraft Circle". They introduced him to Weird Tales, which became his most prominent publisher. Lovecraft's time in New York took a toll on his mental state and financial conditions. He returned to Providence in 1926 and produced some of his most popular works, including The Call of Cthulhu, At the Mountains of Madness, The Shadow over Innsmouth, and The Shadow Out of Time. He remained active as a writer for 11 years until his death from intestinal cancer at the age of 46. (Full article...)Selected workStar Trek is an American science fiction media franchise created by Gene Roddenberry, which began with the eponymous 1960s television series and became a worldwide pop-culture phenomenon. Since its creation, the franchise has expanded into various films, television series, video games, novels, and comic books, and it has become one of the most recognizable and highest-grossing media franchises of all time. The franchise began with Star Trek: The Original Series, which debuted in the US on September 8, 1966, and aired for three seasons on NBC. It was first broadcast on September 6, 1966, on Canada's CTV network. The series followed the voyages of the crew of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester's Horatio Hornblower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such as Wagon Train. (Full article...) Selected quote
—Arthur C. Clarke (1917–2008), The Sands of Mars (1951). Selected picture Ryū sho ten ("Dragon rising toward heaven"), an 1897 ukiyo-e print by Ogata Gekkō showing a Japanese dragon moving upwards with Mount Fuji in the background. Dragon myths in Japanese folklore amalgamate native legends with imported stories from China, Korea and India. Most Japanese ones are water deities associated with rainfall and bodies of water, and are typically depicted as large, wingless, serpentine creatures with clawed feet. (POTD) Did you know...
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Dates can usually be found on the article page. See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction. Selected articleSuper Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 to 1943, and again from 1949 to 1951. Popular launched it under their Fictioneers imprint, which they used for magazines, paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941 and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines. This made it difficult to acquire good fiction, but Pohl was able to acquire stories for the early issues from the Futurians, a group of young science fiction fans and aspiring writers.
Super Science Stories was an initial success, and within a year Popular increased Pohl's budget slightly, allowing him to pay a bonus rate on occasion. Pohl wrote many stories himself, to fill the magazine and to augment his salary. He managed to obtain stories by writers who subsequently became very well known, such as Isaac Asimov and Robert Heinlein. After Pohl entered the army in early 1943, wartime paper shortages led Popular to cease publication of Super Science Stories. The final issue of the first run was dated May of that year. In 1949 the title was revived with Ejler Jakobsson as editor; this version, which included many reprinted stories, lasted almost three years, with the last issue dated August 1951. A Canadian reprint edition of the first run included material from both Super Science Stories and Astonishing Stories; it was unusual in that it published some original fiction rather than just reprints. There were also Canadian and British reprint editions of the second incarnation of the magazine. (Full article...)
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